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Crash Course: English Literature, Slavery, Ghosts, and Beloved: Crash Course Literature 214 - YouTube (2)

Slavery, Ghosts, and Beloved: Crash Course Literature 214 - YouTube (2)

The novel itself is a dialogue with the American idea of itself and with the original American

sin of slavery, and it tells us something about how to walk on two feet, not four.

And yes, like any horror novel, it is revolting. It's revolting because we are forced to look

at ourselves as we have been and as we still are in many ways. We've seen this from Oedipus

to Slaughterhouse Five—great books can show us the ways that man can be a wolf to man.

But they also show us something of how to go on and why.

Morrison's genius here is in taking the tragedy of slavery and giving it shape for us to deal with it.

So often, horrors feel overwhelming to us, and formless, and that can make them unfathomable.

Near the end of the book, Morrison writes, "Disremembered and unaccounted for,

she cannot be lost because no one is looking for her. And even if they were, how can they

call her if they don't know her name?" But now we do have at least one name: Beloved.

Thanks for watching. I'll see you next week.

Crash Course is made with the help of all of these nice people and it exists because

of your support on subbable.com, a voluntary subscription service that allows you to support

Crash Course directly. You can also get great perks like signed posters or these sweet,

sweet Crash Course bookmarks, and you'll help keep Crash Course free for everyone forever.

Thank you for watching, thanks for your support, and as we say in my hometown,

Don't Forget To Be Awesome.

Slavery, Ghosts, and Beloved: Crash Course Literature 214 - YouTube (2) Esclavitud, fantasmas y Beloved: Curso acelerado de literatura 214 - YouTube (2)

The novel itself is a dialogue with the American idea of itself and with the original American

sin of slavery, and it tells us something about how to walk on two feet, not four. وهي تعلمنا شيئًا عن كيفية السير على قدمين لا أربع.

And yes, like any horror novel, it is revolting. It's revolting because we are forced to look وكذلك، كأي رواية رعب، فهي مثيرة للاشمئزاز، وذلك لأننا نُجبر على النظر لأنفسنا

at ourselves as we have been and as we still are in many ways. We've seen this from Oedipus

to Slaughterhouse Five—great books can show us the ways that man can be a wolf to man. الكتب العظيمة ترينا كيف يتحول الإنسان لذئب مع أخيه الإنسان.

But they also show us something of how to go on and why. لكنها أيضًا ترينا كيف نمضي قُدمًا ولماذا.

Morrison's genius here is in taking the tragedy of slavery and giving it shape for us to deal with it. تكمن عبقرية "موريسون" في أخذ مأساة العبودية وإعطائها شكلًا لنتعامل معها.

So often, horrors feel overwhelming to us, and formless, and that can make them unfathomable. في كثير من الحالات، يكون الرعب بالغ القوة وعديم الشكل بالنسبة لنا، ما يجعله غير قابل للفهم.

Near the end of the book, Morrison writes, "Disremembered and unaccounted for, في نهاية الكتاب، تقول "موريسون"، "منسية ومهملة هي،

she cannot be lost because no one is looking for her. And even if they were, how can they

call her if they don't know her name?" But now we do have at least one name: Beloved. لكننا الآن نعرف على الأقل اسمًا هو "محبوبة".

Thanks for watching. I'll see you next week. شكرًا لكم على المتابعة، أراكم الأسبوع المقبل.

Crash Course is made with the help of all of these nice people and it exists because أعد هذا البرنامج بمساعدة كل هؤلاء الأناس اللطفاء،

of your support on subbable.com, a voluntary subscription service that allows you to support

Crash Course directly. You can also get great perks like signed posters or these sweet, وبذلك تحصلون على جوائز قيمة مثل ملصقات موقعة

sweet Crash Course bookmarks, and you'll help keep Crash Course free for everyone forever. أو علامات حفظ الصفحة الخاصة ببرنامجنا، وبذلك تُسهمون بإبقائه مجانيًا للجميع وإلى الأبد.

Thank you for watching, thanks for your support, and as we say in my hometown,

Don't Forget To Be Awesome.