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Kapittel 23 chapter Chapter 23

Kveldsredaksjonen the evening editorial team The Evening Editorial

Kjenningsmelodien til aktualitetsprogrammet «Kveldsredaksjonen» var et enkelt gitarriff som brakte seeres tanker hen på bossanova, vuggende hofter og fargesterke drinker, ikke beinharde fakta, politikk og traurig samfunnsproblematikk. the theme tune|to|the current affairs program|the evening editorial team|was|a|simple|guitar riff|that|brought|viewers'|thoughts|away|to|bossa nova|swaying|hips|and|colorful|drinks|not|hard|facts|politics|and|sad|social issues The theme melody for the current affairs program "The Evening Editorial" was a simple guitar riff that brought viewers' thoughts to bossa nova, swaying hips, and colorful drinks, not hard facts, politics, and dreary social issues. Eller som i kveld; kriminalitet. or|as|in|tonight|crime Or like tonight; crime. Kjenningsmelodien var kort for å signalisere at «Kveldsredaksjonen» var et program uten unødvendig fjas, hvor det handlet om innhold og å komme til poenget. the theme tune|was|short|to|to|signal|that|the evening editorial|was|a|program|without|unnecessary|nonsense|where|it|was about|about|content|and|to|come|to|the point The theme tune was short to signal that "The Evening Editorial" was a program without unnecessary fluff, where the focus was on content and getting to the point.

Det var antagelig derfor programmet startet med at kameraet som hang på kran i Studio 3, viste deltakerne i panelet rett ovenfra og så ble senket i en sveipende bevegelse som endte med et såkalt hodeskudd av programlederen Odd G. Dybwad. it|was|probably|therefore|the program|started|with|that|the camera|that|hung|on|crane|in|Studio|showed|the participants|in|the panel|straight|from above|and|then|was|lowered|in|a|sweeping|movement|that|ended|with|a|so-called|headshot|of|the host|Odd|G|Dybwad That was probably why the program started with the camera hanging from a crane in Studio 3, showing the panel participants from directly above and then being lowered in a sweeping motion that ended with a so-called headshot of the host Odd G. Dybwad. Og som vanlig så han i dette øyeblikk opp fra papirene og tok av seg lesebrillene. and|as|usual|he saw|he|in|this|moment|up|from|the papers|and|he took|off|himself|reading glasses And as usual, at that moment he looked up from the papers and took off his reading glasses. Det hadde kanskje vært produsentens idé, kanskje hun eller han mente det ga inntrykk av at nyhetssaken de skulle snakke om var rykende fersk, at G. Dybwad bare så vidt hadde rukket å lese den selv. it|had|perhaps|been|the producer's|idea|perhaps|she|or|he|thought|it|gave|impression|that|that|the news story|they|were going to|talk|about|was|steaming|fresh|that|G|Dybwad|just|saw|barely|had|managed|to|read|it|himself It might have been the producer's idea, perhaps she or he thought it gave the impression that the news story they were about to discuss was hot off the press, that G. Dybwad had barely had time to read it himself.

Odd G. Dybwad hadde tett, kortklipt hår som var grått i tinningen, og et av disse ansiktene som er førti år. Odd|G|Dybwad|had|thick|short-cropped|hair|that|was|gray|in|temples|and|a|of|these|faces|that|is|forty|years Odd G. Dybwad had close-cropped, short hair that was gray at the temples, and one of those faces that is forty years old. Han hadde sett ut som førti da han ble tretti og førti nå da han var femti. he|had|looked|out|like|forty|when|he|became|thirty|and|forty|now|when|he|was|fifty He had looked forty when he was thirty and forty now that he was fifty. Odd G. Dybwad hadde hovedfag i samfunnsvitenskap, var analytisk, verbal intelligent og oppriktig tabloid av legning. Odd|G|Dybwad|had|major|in|social science|was|analytical|verbal|intelligent|and|genuinely|tabloid|of|disposition Odd G. Dybwad had a master's degree in social sciences, was analytical, verbally intelligent, and genuinely tabloid in nature. Det var sannsynligvis ikke det som hadde vært avgjørende for at kanalledelsen hadde gitt ham eget debattprogram, men jobben Odd G. Dybwad hadde gjort som nyhetsanker i en halv mannsalder. it|was|probably|not|that|that|had|been|decisive|for|that|channel management|had|given|him|own|debate show|but|the job|Odd|G|Dybwad|had|done|as|news anchor|in|a|half|lifetime It was probably not what had been decisive for the channel management to give him his own debate program, but the work Odd G. Dybwad had done as a news anchor for half a lifetime. Jobben handlet stort sett om å lese ferdigskrevet tekst med den riktige intonasjonen og ansiktsuttrykket iført den riktige dressen og det riktige slipset, men i G. Dybwads tilfelle hadde intonasjon, ansiktsuttrykk og slips vært så riktige at det hadde gitt ham mer kredibilitet enn noen annen nålevende person i Norge. the job|dealt|mostly|seen|about|to|read|finished|text|with|the|right|intonation|and|facial expression|wearing|the|right|suit|and|the|right|tie|but|in|G|Dybwad's|case|had|intonation|facial expression|and|tie|been|so|right|that|it|had|given|him|more|credibility|than|any|other|living|person|in|Norway The job mostly involved reading pre-written text with the correct intonation and facial expressions while wearing the right suit and tie, but in G. Dybwad's case, the intonation, facial expressions, and tie were so right that it gave him more credibility than any other living person in Norway. Og det var kredibilitet som trengtes for å bære et program som «Kveldsredaksjonen». and|it|was|credibility|that|was needed|to|to|carry|a|program|that|Kveldsredaksjonen And it was credibility that was needed to carry a program like "Kveldsredaksjonen." Det syntes merkelig nok bare å styrke Odd G. Dybwads uangripelighet at han flere ganger hadde uttalt at han elsket seertallene sine og at det på redaksjonsmøtene var ham, og ikke kanalledelsen, som var pådriveren for å velge de mest kommersielle sakene. it|seemed|strange|enough|only|to|strengthen|Odd|G|Dybwad's|impeccability|that|he|several|times|had|stated|that|he|loved|the viewer numbers|his|and|that|it|at|editorial meetings|was|him|and|not|channel management|that|was|the driving force|for|to|choose|the|most|commercial|stories It strangely seemed to only strengthen Odd G. Dybwad's invulnerability that he had stated several times that he loved his viewer ratings and that in editorial meetings it was him, and not the channel management, who was the driving force behind choosing the most commercial stories. Odd G. Dybwad ville ha vinklingene med potensial for temperatur og følelser, ikke tvil, tvisyn og resonnementer, slikt egnet seg best som aviskronikker. Odd|G|Dybwad|wanted|to have|the angles|with|potential|for|temperature|and|emotions|not|doubt|ambivalence|and|reasoning|such|suited|best|best|as|newspaper columns Odd G. Dybwad wanted angles with potential for temperature and emotions, not doubt, skepticism, and reasoning; such things were best suited for newspaper columns. Refrenget når han ble spurt om dette i media var: «Hvorfor overlate debattene om kongefamilien, homoseksuelle adoptivforeldre og trygdemisbruk til useriøse aktører når den kan tas hos oss i Kveldsredaksjonen?» the refrain|when|he|was|asked|about|this|in|the media|was|why|leave|the debates|about|the royal family|homosexual|adoptive parents|and|welfare fraud|to|unserious|actors|when|it|can|be taken|at|us|in|the Evening Editorial Team The refrain when he was asked about this in the media was: "Why leave the debates about the royal family, homosexual adoptive parents, and welfare fraud to unserious actors when it can be addressed by us in the Evening Editorial?"

«Kveldsredaksjonen» var en ubetinget suksess og Odd G. Dybwad en stjerne. the Evening Editorial Team|was|a|unconditional|success|and|Odd|G|Dybwad|a|star "Evening Editorial" was an unconditional success and Odd G. Dybwad a star. Såpass stjerne at han etter en veldig opprivende og veldig offentlig skilsmisse hadde kunnet gifte seg med en av kanalens yngre, kvinnelige stjerner. so much|star|that|he|after|a|very|painful|and|very|public|divorce|had|could|marry|himself|to|a|of|the channel's|younger|female|stars Such a star that after a very tumultuous and very public divorce, he could have married one of the channel's younger, female stars.

«Vi skal i kveld ha to saker,» sa han med en stemme som allerede skalv lett av undertrykt engasjement mens han stirret inntrengende ut av TV-ruta. we|shall|in|tonight|have|two|stories|said|he|with|a|voice|that|already|trembled|slightly|from|suppressed|engagement|while|he|stared|intensely|out|from|| "We will have two stories tonight," he said with a voice that was already slightly trembling with suppressed engagement as he stared intently out of the TV screen. «I den første skal vi oppsummere en av norgeshistoriens mest dramatiske drapssaker. in|the|first|shall|we|summarize|one|of|Norwegian history's|most|dramatic|murder cases "In the first, we will summarize one of the most dramatic murder cases in Norwegian history. Etter én måned med intens etterforskning mener politiet at de nå endelig har fått samlet alle trådene i den såkalte Greve-saken. after|one|month|with|intense|investigation|believe|the police|that|they|now|finally|have|gotten|gathered|all|threads|in|the|so-called|| After one month of intense investigation, the police believe they have finally gathered all the threads in the so-called Count case. Denne involverer i alt åtte drap. this|involves|in|total|eight|murders This involves a total of eight murders. En mann som ble kvalt på gården sin utenfor Elverum. a|man|who|was|choked|on|farm|his|outside of|Elverum A man who was strangled on his farm outside Elverum." Fire politimenn som ble påkjørt av en stjålet trailer. four|police officers|who|were|hit|by|a|stolen|trailer Four police officers who were hit by a stolen trailer. En kvinne som ble skutt i sitt hjem i Oslo. a|woman|who|was|shot|in|her|home|in|Oslo A woman who was shot in her home in Oslo. Før altså de to hovedpersonene skjøt hverandre i hjel i et hus på Tonsenhagen her i Oslo. before|thus|the|two|main characters|shot|each other|in|to death|in|a|house|in|Tonsenhagen|here|in|Oslo Before the two main characters shot each other to death in a house in Tonsenhagen here in Oslo. Det siste dramaet ble som kjent festet på film i og med at huset hadde alarm med kameraovervåkning, og kopier av disse opptakene har allerede lekket ut og versert på Internett de siste ukene.» that|last|drama|was|as|known|recorded|on|film|in|and|with|that|house|had|alarm|with|video surveillance|and|copies|of|these|recordings|have|already|leaked|out|and|circulated|on|Internet|the|last|weeks The latest drama was, as is known, captured on film since the house had an alarm with video surveillance, and copies of these recordings have already leaked out and circulated on the Internet in recent weeks.

G. Dybwad økte patosdoseringen: G|Dybwad|increased|the pathos dosage G. Dybwad increased the pathos dosage:

«Og som om dette ikke er nok; i sentrum av denne bisarre saken står et verdensberømt maleri. and|as|if|this|not|is|enough|in|center|of|this|bizarre|case|stands|a|world-famous|painting "And as if this is not enough; at the center of this bizarre case stands a world-famous painting. Peter Paul Rubens' 'Jakten på det kalydonske villsvin' har vært savnet og fryktet tapt siden siste verdenskrig. Peter|Paul|Rubens'|The Hunt|for|the|Calydonian|boar|has|been|missing|and|feared|lost|since|last|world war Peter Paul Rubens' 'The Hunt for the Calydonian Boar' has been missing and feared lost since the last world war. Inntil det for fire uker siden ble funnet på en …» Her ble G. Dybwad så ivrig at han stammet lett. until|it|four||weeks|ago|was|found|on|a|here|was|G|Dybwad|so|eager|that|he|stammered|slightly Until it was found four weeks ago on a ..." Here G. Dybwad became so eager that he stammered slightly. «… en – en norsk utedass!» a|a|Norwegian|outhouse "... a - a Norwegian outdoor toilet!"