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Amelia Project, EPISODE 9 - PERCY (2)

EPISODE 9 - PERCY (2)

INTERVIEWER

Amelia sessions follow a structure. A character is introduced, their dilemma is discussed and a solution for their disappearance is found. A satisfying solution is an essential part of the contract the writers establish with their audience.

MORE COCOA SIPPING.

INTERVIEWER

We've given them a scenario they can't resolve. They're still trying; struggling to find a way out. But they won't find one. The joke is now on them.

PERCY

What happens if they can't end the episode?

INTERVIEWER

They ditch it and you're free as a bird. A character setting off into the sunset in search of a new author.

PERCY

You set this up?

INTERVIEWER

It wasn't difficult. We left a Calvino novel and a few Pirandello plays lying about in their apartment and the seed was quickly sewn.

PERCY

Hang on… this doesn't make any sense! This is still the writers playing games isn't it?

INTERVIEWER

Why do you say that?

PERCY

They don't have to abandon the episode, ‘cause what you just described is a solution!

INTERVIEWER

Well, that may be so, but is it a satisfying one?

PERCY

Well… No… I… Uh… That depends I suppose, I…

INTERVIEWER

I think it's pretty lame.

PERCY

Yes, but when has that stopped them before? More self deprecation…

INTERVIEWER

Believe me, the writers are at the end of their limited capabilities, it's getting too indulgent even for them and they're dying to watch the new Twin Peaks finale. I reckon they give up on this episode any second now.

HE WAITS A FEW SECONDS.

INTERVIEWER

Hello?

PERCY

Hello?

INTERVIEWER

Ah. We're obviously still here.

PERCY

Yes.

WAITS A FEW SECONDS.

INTERVIEWER

Hello?

PERCY

Hello?

INTERVIEWER

Still here! Hm. Hello?

PERCY

Hello?

INTERVIEWER

Hm. Now they're just biding their time. Hello?

PERCY

Hello?

INTERVIEWER

This is just stupid. They've definitely run out of ideas. Hello?

PERCY

Hello?

INTERVIEWER

The theme tune will kick in any moment now. Trust me.

THEY WAIT.

PERCY

Oh, what if they just keep going-

INTERVIEWER

Shhhhhh! Wait for it…

THEY WAIT.

THE INTERVIEWER STARTS HUMMING THE THEME TUNE.

THE THEME TUNE KICKS IN.

INTERVIEWER

There.

CREDITS

The Amelia Project is produced by Imploding Fictions in association with Open House Theatre, Vienna. This episode featured Alan Burgon as the Interviewer, Tom Middler as Percy, and Julia Morizawa on the answerphone. It was written by Philip Thorne and Oystein Brager, and directed by Alan Burgon. Music and sound design by Fredrik Baden, graphic design by Anders Pedersen, production coordination by Julia C. Thorne. This episode was recorded at Tongeber Studios with the assistance of Gabriel Geber. This week's podcast shout out goes to “Munchen, Minnesota”, Justin Glanville's strange tale about a fading milltown on the verge of a supernatural invasion. We came across this show at Austin Film Festival, where Justin was a fellow finalist in the Fiction Podcast Script Comptetition. It's a great show, check it out! By for now, and look forward to welcoming you back to Amelia again soon.

EPILOGUE

OYSTEIN

Percy. What a stupid name. I could at least have come up with something better.

PHILIP

Hey! You didn't come up with it, I wrote this episode!

OYSTEIN

No, you didn't, I did.

PHILIP

I did.

OYSTEIN

Stopp den lille gule jeg kan ikke fine nøklene mine!

PHILIP

Stop speaking Norwegian! And I wrote this episode.

OYSTEIN

No you didn't.

PHILIP

I'm writing you now!

OYSTEIN

Well, not very well.

PHILIP

What do you mean?

OYSTEIN

That Norwegian back then? Didn't mean anything.

PHILIP

I'm still writing.

OYSTEIN

Your laptop's almost out of battery.

PHILIP

I'm still wri-

SILENCE

STING

The Fable and Folly Network.

END OF THE EPISODE


EPISODE 9 - PERCY (2) FOLGE 9 - PERCY (2) EPISODIO 9 - PERCY (2) ÉPISODE 9 - PERCY (2) EPISODIO 9 - PERCY (2) ODCINEK 9 - PERCY (2) EPISÓDIO 9 - PERCY (2) ЭПИЗОД 9 - ПЕРСИ (2) BÖLÜM 9 - PERCY (2) 第 9 集 - 珀西 (2) 第 9 集 - 珀西 (2)

INTERVIEWER MÜLAKATÇI

Amelia sessions follow a structure. Amelia oturumları bir yapı izler. A character is introduced, their dilemma is discussed and a solution for their disappearance is found. Bir karakter tanıtılır, ikilemleri tartışılır ve ortadan kaybolmaları için bir çözüm bulunur. A satisfying solution is an essential part of the contract the writers establish with their audience. Tatmin edici bir çözüm, yazarların izleyicileriyle kurdukları sözleşmenin önemli bir parçasıdır.

MORE COCOA SIPPING. DAHA FAZLA KAKAO YUDUMLAMAK.

INTERVIEWER MÜLAKATÇI

We've given them a scenario they can't resolve. Onlara çözemeyecekleri bir senaryo verdik. They're still trying; struggling to find a way out. Hâlâ deniyorlar; bir çıkış yolu bulmak için mücadele ediyorlar. But they won't find one. Ama bulamayacaklar. The joke is now on them. Şaka şimdi onların üzerinde.

PERCY

What happens if they can't end the episode?

INTERVIEWER

They ditch it and you're free as a bird. A character setting off into the sunset in search of a new author.

PERCY

You set this up?

INTERVIEWER

It wasn't difficult. We left a Calvino novel and a few Pirandello plays lying about in their apartment and the seed was quickly sewn.

PERCY

Hang on… this doesn't make any sense! This is still the writers playing games isn't it?

INTERVIEWER

Why do you say that?

PERCY

They don't have to abandon the episode, ‘cause what you just described is a solution!

INTERVIEWER

Well, that may be so, but is it a satisfying one?

PERCY

Well… No… I… Uh… That depends I suppose, I…

INTERVIEWER

I think it's pretty lame.

PERCY

Yes, but when has that stopped them before? More self deprecation…

INTERVIEWER

Believe me, the writers are at the end of their limited capabilities, it's getting too indulgent even for them and they're dying to watch the new Twin Peaks finale. I reckon they give up on this episode any second now.

HE WAITS A FEW SECONDS.

INTERVIEWER

Hello?

PERCY

Hello?

INTERVIEWER

Ah. We're obviously still here.

PERCY

Yes.

WAITS A FEW SECONDS.

INTERVIEWER

Hello?

PERCY

Hello?

INTERVIEWER

Still here! Hm. Hello?

PERCY

Hello?

INTERVIEWER

Hm. Now they're just biding their time. Hello?

PERCY

Hello?

INTERVIEWER

This is just stupid. They've definitely run out of ideas. Hello?

PERCY

Hello?

INTERVIEWER

The theme tune will kick in any moment now. Trust me.

THEY WAIT.

PERCY

Oh, what if they just keep going-

INTERVIEWER

Shhhhhh! Wait for it…

THEY WAIT.

THE INTERVIEWER STARTS HUMMING THE THEME TUNE.

THE THEME TUNE KICKS IN.

INTERVIEWER

There.

CREDITS

The Amelia Project is produced by Imploding Fictions in association with Open House Theatre, Vienna. This episode featured Alan Burgon as the Interviewer, Tom Middler as Percy, and Julia Morizawa on the answerphone. It was written by Philip Thorne and Oystein Brager, and directed by Alan Burgon. Music and sound design by Fredrik Baden, graphic design by Anders Pedersen, production coordination by Julia C. Thorne. This episode was recorded at Tongeber Studios with the assistance of Gabriel Geber. This week's podcast shout out goes to “Munchen, Minnesota”, Justin Glanville's strange tale about a fading milltown on the verge of a supernatural invasion. We came across this show at Austin Film Festival, where Justin was a fellow finalist in the Fiction Podcast Script Comptetition. It's a great show, check it out! By for now, and look forward to welcoming you back to Amelia again soon.

EPILOGUE

OYSTEIN

Percy. What a stupid name. I could at least have come up with something better.

PHILIP

Hey! You didn't come up with it, I wrote this episode!

OYSTEIN

No, you didn't, I did.

PHILIP

I did.

OYSTEIN

Stopp den lille gule jeg kan ikke fine nøklene mine!

PHILIP

Stop speaking Norwegian! And I wrote this episode.

OYSTEIN

No you didn't.

PHILIP

I'm writing you now!

OYSTEIN

Well, not very well.

PHILIP

What do you mean?

OYSTEIN

That Norwegian back then? Didn't mean anything.

PHILIP

I'm still writing.

OYSTEIN

Your laptop's almost out of battery.

PHILIP

I'm still wri-

SILENCE

STING

The Fable and Folly Network.

END OF THE EPISODE