01a. Life of John Milton by Sir Richard C. Jebb. Part 1/4.
Life of John Milton. Note By A. R. W.
The Commentary on Milton's Areopagitica here printed (Introduction, Analysis and Notes) was privately printed by Sir R. C. Jebb for the use of a course of lectures given at Cambridge in the Lent Term of 1872. It is here reprinted by permission of Lady Jebb. A few trifling misprints have been corrected: otherwise, the commentary is reproduced as it was originally printed.
It may be conjectured that what attracted Sir R. C. Jebb specially to Areopagitica was its wealth of classical and historical allusions, and this, obviously, is the aspect of the treatise which received his particular attention. It was thought by the Syndics of the Cambridge University Press that the Commentary should be made accessible to students; and that it might be made more helpful, and be brought more directly into line with the other Pitt Press editions of Milton, if some notes were added on points of directly Miltonic interest, such as the language, parallel passages and so forth; and, at the request of the Syndics, Mr Verity has compiled a short appendix of comments, drawn mainly from his own editions of Milton published by the University Press, and has added the brief Life.
The text of Areopagitica has been slightly modernised in spelling and punctuation.
A. R. W.
Cambridge, May 1918
LIFE OF MILTON by Sir Richard C. Jebb.
Milton's life falls into these clearly defined divisions. The first period ends with the poet's return from Italy in 1639; the second at the Restoration in 1660, when release from the fetters of politics enabled him to remind the world that he was a great poet; the third is brought to a close with his death in 1674. We propose to summarise the main events of the three periods.
John Milton was born on December 9, 1608, in London. He came, in his own words, ex genere honesto. A family of Miltons had been settled in Oxfordshire since the reign of Elizabeth. The poet's father had been educated at an Oxford school, possibly as a chorister in one of the College choir-schools, and imbibing Anglican sympathies had conformed to the Established Church. For this he was disinherited by his Roman Catholic father. He settled in London, following the profession of scrivener. A scrivener combined the occupations of lawyer and law-stationer. It appears to have been a lucrative calling; certainly John Milton (the poet was named after the father) attained to easy circumstances He married about 1600, and had six children, of whom several died young. The third child was the poet.
The elder Milton was evidently a man of considerable culture, in particular an accomplished musician, and a composer whose madrigals were deemed worthy of being printed side by side with those of Byrd, Orlando Gibbons and other leading musicians of the time. To him, no doubt, the poet owed the love of music of which we see frequent indications in the poems. Realising, too, that in his son lay the promise and possibility of future greatness, John Milton took the utmost pains to have the boy adequately educated; and the lines Ad Patrem show that the ties of affection between father and child were of more than ordinary closeness.
Milton was sent to St Paul's School about the year 1620. Here two influences, apart from those of ordinary school-life, may have affected him particularly. The headmaster was a good English scholar; he published a grammar containing many extracts from English poets, notably Spenser; it is reasonable to assume that he had not a little to do with the encouragement and guidance of Milton's early taste for English poetry. Also, the founder of St Paul's School, Colet, had prescribed as part of the school-course the study of certain early Christian writers, whose influence is said to be directly traceable in Milton's poems and may in some cases have suggested his choice of sacred themes. While at St Paul's, Milton also had a tutor at home, Thomas Young, a Scotchman, afterwards an eminent Puritan divine—the inspirer, doubtless, of much of his pupil's Puritan sympathies. And Milton enjoyed the signal advantage of growing up in the stimulating atmosphere of cultured home-life. Most men do not realise that the word “culture” signifies anything very definite or desirable before they pass to the University; for Milton, however, home-life meant, from the first, not only broad interests and refinement, but active encouragement towards literature and study. In 1625 he left St Paul's. Of his extant English poems only one, On the Death of a Fair Infant, dates from his school-days; but we are told that he had written much verse, English and Latin. And his early training had done that which was all-important: it had laid the foundation of the far-ranging knowledge which makes Paradise Lost unique for diversity of suggestion and interest.
Milton went to Christ's College, Cambridge, in the Easter term of 1625, took his B.A. degree in 1629, proceeded M.A. in 1632, and in the latter year left Cambridge. The popular view of Milton's connection with the University will be coloured for all time by Johnson's unfortunate story that for some unknown offence he “suffered the public indignity of corporal correction.” For various reasons this story is now discredited by the best judges. It is certain, however, that early in 1626 Milton did have some serious difficulty with his tutor, which led to his removal from Cambridge for a few weeks and his transference to another tutor on his return later in the term. He spoke of the incident bitterly at the time in one of his Latin poems, and he spoke of Cambridge bitterly in after years On the other hand he voluntarily passed seven years at the University, and resented strongly the imputations brought against him in the “Smectymnuus” controversy that he had been in ill-favour with the authorities of his college. Writing in 1642, he takes the opportunity “to acknowledge publicly with all grateful mind, that more than ordinary favour and respect, which I found above any of my equals at the hands of those courteous and learned men, the fellows of that college wherein I spent some years: who at my parting, after I had taken two degrees, as the manner is, signified many ways how much better it would content them that I would stay; as by many letters full of kindness and loving respect, both before that time, and long after, I was assured of their singular good affection towards me.” And if we look into those uncomplimentary allusions to Cambridge which date from the controversial period of his life we see that the feeling they represent is hardly more than a phase of his theological bias. He detested ecclesiasticism, and for him the two Universities (there is a fine impartiality in his diatribes) are the strongholds of what he detested: “nurseries of superstition”—“not yet well recovered from the scholastic grossness of barbarous ages”—given up to “monkish and miserable sophistry,” and unprogressive in their educational methods. But it may fairly be assumed that Milton the scholar and poet, who chose to spend seven years at Cambridge, owed to her more than Milton the fierce controversialist admitted or knew. A poet he had proved himself before leaving the University in 1632 The short but exquisite ode At a Solemn Music, and the Nativity Hymn (1629), were already written.
