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Grahem The wind in the willows (a whole book), The Wind in the Willows (11)

The Wind in the Willows (11)

The snow has held off so far, and the best part of our journey is over."

The Mole subsided forlornly on a tree stump and tried to control himself, for he felt it surely coming. The sob he had fought with so long refused to be beaten. Up and up, it forced its way to the air, and then another, and another, and others thick and fast; till poor Mole at last gave up the struggle, and cried freely and helplessly and openly, now that he knew it was all over and he had lost what he could hardly be said to have found.

The Rat, astonished and dismayed at the violence of Mole's paroxysm of grief, did not dare to speak for a while. At last he said, very quietly and sympathetically, "What is it, old fellow? Whatever can be the matter? Tell us your trouble, and let me see what I can do."

Poor Mole found it difficult to get any words out between the upheavals of his chest that followed one upon another so quickly and held back speech and choked it as it came. "I know it's a—shabby, dingy little place," he sobbed forth at last brokenly: "not like—your cosy quarters—or Toad's beautiful hall—or Badger's great house—but it was my own little home—and I was fond of it—and I went away and forgot all about it—and then I smelt it suddenly—on the road, when I called and you wouldn't listen, Rat—and everything came back to me with a rush—and I wanted it!—O dear, O dear!—and when you wouldn't turn back, Ratty—and I had to leave it, though I was smelling it all the time—I thought my heart would break.—We might have just gone and had one look at it, Ratty—only one look—it was close by—but you wouldn't turn back, Ratty, you wouldn't turn back! O dear, O dear!"

Recollection brought fresh waves of sorrow, and sobs again took full charge of him, preventing further speech.

The Rat stared straight in front of him, saying nothing, only patting Mole gently on the shoulder. After a time he muttered gloomily, "I see it all now! What a pig I have been! A pig—that's me! Just a pig—a plain pig!"

He waited till Mole's sobs became gradually less stormy and more rhythmical; he waited till at last sniffs were frequent and sobs only intermittent. Then he rose from his seat, and, remarking carelessly, "Well, now we'd really better be getting on, old chap!" set off up the road again over the toilsome way they had come.

"Wherever are you (hic) going to (hic), Ratty?" cried the tearful Mole, looking up in alarm.

"We're going to find that home of yours, old fellow," replied the Rat pleasantly; "so you had better come along, for it will take some finding, and we shall want your nose."

"Oh, come back, Ratty, do!" cried the Mole, getting up and hurrying after him. "It's no good, I tell you! It's too late, and too dark, and the place is too far off, and the snow's coming! And—and I never meant to let you know I was feeling that way about it—it was all an accident and a mistake! And think of River Bank, and your supper!"

"Hang River Bank, and supper, too!" said the Rat heartily. "I tell you, I'm going to find this place now, if I stay out all night. So cheer up, old chap, and take my arm, and we'll very soon be back there again."

Still snuffling, pleading, and reluctant, Mole suffered himself to be dragged back along the road by his imperious companion, who by a flow of cheerful talk and anecdote endeavoured to beguile his spirits back and make the weary way seem shorter. When at last it seemed to the Rat that they must be nearing that part of the road where the Mole had been "held up," he said, "Now, no more talking. Business! Use your nose, and give your mind to it."

They moved on in silence for some little way, when suddenly the Rat was conscious, through his arm that was linked in Mole's, of a faint sort of electric thrill that was passing down that animal's body. Instantly he disengaged himself, fell back a pace, and waited, all attention.

The signals were coming through!

Mole stood a moment rigid, while his uplifted nose, quivering slightly, felt the air.

Then a short, quick run forward—a fault—a check—a try back; and then a slow, steady, confident advance.

The Rat, much excited, kept close to his heels as the Mole, with something of the air of a sleep-walker, crossed a dry ditch, scrambled through a hedge, and nosed his way over a field open and trackless and bare in the faint starlight.

Suddenly, without giving warning, he dived; but the Rat was on the alert, and promptly followed him down the tunnel to which his unerring nose had faithfully led him.

It was close and airless, and the earthy smell was strong, and it seemed a long time to Rat ere the passage ended and he could stand erect and stretch and shake himself. The Mole struck a match, and by its light the Rat saw that they were standing in an open space, neatly swept and sanded underfoot, and directly facing them was Mole's little front door, with "Mole End" painted, in Gothic lettering, over the bell-pull at the side.

Mole reached down a lantern from a nail on the wall and lit it, and the Rat, looking round him, saw that they were in a sort of fore-court. A garden-seat stood on one side of the door, and on the other a roller; for the Mole, who was a tidy animal when at home, could not stand having his ground kicked up by other animals into little runs that ended in earth-heaps. On the walls hung wire baskets with ferns in them, alternating with brackets carrying plaster statuary—Garibaldi, and the infant Samuel, and Queen Victoria, and other heroes of modern Italy. Down on one side of the fore-court ran a skittle-alley, with benches along it and little wooden tables marked with rings that hinted at beer-mugs. In the middle was a small round pond containing gold-fish and surrounded by a cockle-shell border. Out of the centre of the pond rose a fanciful erection clothed in more cockle-shells and topped by a large silvered glass ball that reflected everything all wrong and had a very pleasing effect.

Mole's face beamed at the sight of all these objects so dear to him, and he hurried Rat through the door, lit a lamp in the hall, and took one glance round his old home. He saw the dust lying thick on everything, saw the cheerless, deserted look of the long-neglected house, and its narrow, meagre dimensions, its worn and shabby contents—and collapsed again on a hall-chair, his nose to his paws. "O Ratty!" he cried dismally, "why ever did I do it? Why did I bring you to this poor, cold little place, on a night like this, when you might have been at River Bank by this time, toasting your toes before a blazing fire, with all your own nice things about you!"

The Rat paid no heed to his doleful self-reproaches. He was running here and there, opening doors, inspecting rooms and cupboards, and lighting lamps and candles and sticking them up everywhere. "What a capital little house this is!" he called out cheerily. "So compact! So well planned! Everything here and everything in its place! We'll make a jolly night of it. The first thing we want is a good fire; I'll see to that—I always know where to find things. So this is the parlour? Splendid! Your own idea, those little sleeping-bunks in the wall? Capital! Now, I'll fetch the wood and the coals, and you get a duster, Mole—you'll find one in the drawer of the kitchen table—and try and smarten things up a bit. Bustle about, old chap!"

Encouraged by his inspiriting companion, the Mole roused himself and dusted and polished with energy and heartiness, while the Rat, running to and fro with armfuls of fuel, soon had a cheerful blaze roaring up the chimney. He hailed the Mole to come and warm himself; but Mole promptly had another fit of the blues, dropping down on a couch in dark despair and burying his face in his duster. "Rat," he moaned, "how about your supper, you poor, cold, hungry, weary animal? I've nothing to give you—nothing—not a crumb!"

"What a fellow you are for giving in!" said the Rat reproachfully. "Why, only just now I saw a sardine-opener on the kitchen dresser, quite distinctly; and everybody knows that means there are sardines about somewhere in the neighbourhood. Rouse yourself! pull yourself together, and come with me and forage."

They went and foraged accordingly, hunting through every cupboard and turning out every drawer. The result was not so very depressing after all, though of course it might have been better; a tin of sardines—a box of captain's biscuits, nearly full—and a German sausage encased in silver paper.

"There's a banquet for you!" observed the Rat, as he arranged the table. "I know some animals who would give their ears to be sitting down to supper with us to-night!"

"No bread!" groaned the Mole dolorously; "no butter, no—"

"No pâté de foie gras, no champagne!" continued the Rat, grinning. "And that reminds me—what's that little door at the end of the passage? Your cellar, of course! Every luxury in this house! Just you wait a minute."

He made for the cellar-door, and presently reappeared, somewhat dusty, with a bottle of beer in each paw and another under each arm, "Self-indulgent beggar you seem to be, Mole," he observed. "Deny yourself nothing. This is really the jolliest little place I ever was in. Now, wherever did you pick up those prints? Make the place look so home-like, they do. No wonder you're so fond of it, Mole. Tell us all about it, and how you came to make it what it is."

Then, while the Rat busied himself fetching plates, and knives and forks, and mustard which he mixed in an egg-cup, the Mole, his bosom still heaving with the stress of his recent emotion, related—somewhat shyly at first, but with more freedom as he warmed to his subject—how this was planned, and how that was thought out, and how this was got through a windfall from an aunt, and that was a wonderful find and a bargain, and this other thing was bought out of laborious savings and a certain amount of "going without." His spirits finally quite restored, he must needs go and caress his possessions, and take a lamp and show off their points to his visitor and expatiate on them, quite forgetful of the supper they both so much needed; Rat, who was desperately hungry but strove to conceal it, nodding seriously, examining with a puckered brow, and saying, "wonderful," and "most remarkable," at intervals, when the chance for an observation was given him.

At last the Rat succeeded in decoying him to the table, and had just got seriously to work with the sardine-opener when sounds were heard from the fore-court without—sounds like the scuffling of small feet in the gravel and a confused murmur of tiny voices, while broken sentences reached them—"Now, all in a line—hold the lantern up a bit, Tommy—clear your throats first—no coughing after I say one, two, three.—Where's young Bill?—Here, come on, do, we're all a-waiting—"

"What's up?" inquired the Rat, pausing in his labours.


The Wind in the Willows (11) El viento en los sauces (11) 柳の風(11)

The snow has held off so far, and the best part of our journey is over." これまでのところ雪は止まっており、私たちの旅の大部分は終わりました。」

The Mole subsided forlornly on a tree stump and tried to control himself, for he felt it surely coming. ほくろは木の切り株でひどく沈静化し、自分自身をコントロールしようとしました。彼はそれが確実に来ると感じたからです。 The sob he had fought with so long refused to be beaten. 彼が長い間戦ってきたすすり泣きは、殴られることを拒否した。 Up and up, it forced its way to the air, and then another, and another, and others thick and fast; till poor Mole at last gave up the struggle, and cried freely and helplessly and openly, now that he knew it was all over and he had lost what he could hardly be said to have found. どんどん上がって、それは空中に、そして別の、そして別の、そして他の人は厚くて速い道を強制しました。かわいそうなほくろがついに闘争をあきらめ、自由にそして無力にそして公然と泣くまで、彼はそれがすべて終わったことを知って、彼が見つけることがほとんどできなかったものを失った。

The Rat, astonished and dismayed at the violence of Mole's paroxysm of grief, did not dare to speak for a while. ネズミは、モルの悲しみの発作の暴力に驚いて落胆しましたが、しばらくの間、あえて話すことはありませんでした。 At last he said, very quietly and sympathetically, "What is it, old fellow? とうとう彼はとても静かにそして同情的に言った、「それは何ですか、おじいさん? Whatever can be the matter? 何が問題になる可能性がありますか? Tell us your trouble, and let me see what I can do." 困ったことを教えてください。私に何ができるか見てみましょう。」

Poor Mole found it difficult to get any words out between the upheavals of his chest that followed one upon another so quickly and held back speech and choked it as it came. かわいそうなモグラは、胸の激動の間に言葉を出すのが難しいことに気づきました。 "I know it's a—shabby, dingy little place," he sobbed forth at last brokenly: "not like—your cosy quarters—or Toad's beautiful hall—or Badger's great house—but it was my own little home—and I was fond of it—and I went away and forgot all about it—and then I smelt it suddenly—on the road, when I called and you wouldn't listen, Rat—and everything came back to me with a rush—and I wanted it!—O dear, O dear!—and when you wouldn't turn back, Ratty—and I had to leave it, though I was smelling it all the time—I thought my heart would break.—We might have just gone and had one look at it, Ratty—only one look—it was close by—but you wouldn't turn back, Ratty, you wouldn't turn back! 「ぼろぼろで薄汚い小さな場所だとわかっている」と彼はついにひどくすすり泣きました。そのうち、私は立ち去ってそのことをすべて忘れてしまいました。それから突然、道路でそれを精錬しました。電話をかけてきて、あなたが聞いてくれなかったとき、ラット、そしてすべてが急いで戻ってきました。 !—親愛なる、親愛なる!—そしてあなたが引き返さないとき、ラティー—そして私はそれを去らなければなりませんでしたが、私はいつもそれを嗅いでいました—私の心は壊れるだろうと思いました。ラティー、一目見ただけで、近くにありましたが、後戻りしませんでした、ラティー、後戻りしませんでした! O dear, O dear!" 親愛なる、親愛なる!」

Recollection brought fresh waves of sorrow, and sobs again took full charge of him, preventing further speech. 想起は新たな悲しみの波をもたらし、すすり泣きが再び彼を完全に担当し、それ以上の会話を妨げました。

The Rat stared straight in front of him, saying nothing, only patting Mole gently on the shoulder. ネズミは何も言わずに彼の前をまっすぐ見つめ、モルを肩に優しくたたくだけでした。 After a time he muttered gloomily, "I see it all now! しばらくすると、彼は憂鬱につぶやいた。 What a pig I have been! なんて豚なんだろう! A pig—that's me! ブタ—それは私です! Just a pig—a plain pig!" ただのブタ—普通のブタ!」

He waited till Mole's sobs became gradually less stormy and more rhythmical; he waited till at last sniffs were frequent and sobs only intermittent. 彼は、モルのすすり泣きが徐々に嵐が少なくなり、よりリズミカルになるまで待ちました。彼はついに嗅ぎタバコが頻繁になり、すすり泣きが断続的になるまで待った。 Then he rose from his seat, and, remarking carelessly, "Well, now we'd really better be getting on, old chap!" set off up the road again over the toilsome way they had come.

"Wherever are you (hic) going to (hic), Ratty?" cried the tearful Mole, looking up in alarm.

"We're going to find that home of yours, old fellow," replied the Rat pleasantly; "so you had better come along, for it will take some finding, and we shall want your nose."

"Oh, come back, Ratty, do!" cried the Mole, getting up and hurrying after him. "It's no good, I tell you! It's too late, and too dark, and the place is too far off, and the snow's coming! And—and I never meant to let you know I was feeling that way about it—it was all an accident and a mistake! And think of River Bank, and your supper!"

"Hang River Bank, and supper, too!" said the Rat heartily. "I tell you, I'm going to find this place now, if I stay out all night. So cheer up, old chap, and take my arm, and we'll very soon be back there again."

Still snuffling, pleading, and reluctant, Mole suffered himself to be dragged back along the road by his imperious companion, who by a flow of cheerful talk and anecdote endeavoured to beguile his spirits back and make the weary way seem shorter. When at last it seemed to the Rat that they must be nearing that part of the road where the Mole had been "held up," he said, "Now, no more talking. Business! Use your nose, and give your mind to it."

They moved on in silence for some little way, when suddenly the Rat was conscious, through his arm that was linked in Mole's, of a faint sort of electric thrill that was passing down that animal's body. Instantly he disengaged himself, fell back a pace, and waited, all attention.

The signals were coming through!

Mole stood a moment rigid, while his uplifted nose, quivering slightly, felt the air.

Then a short, quick run forward—a fault—a check—a try back; and then a slow, steady, confident advance.

The Rat, much excited, kept close to his heels as the Mole, with something of the air of a sleep-walker, crossed a dry ditch, scrambled through a hedge, and nosed his way over a field open and trackless and bare in the faint starlight.

Suddenly, without giving warning, he dived; but the Rat was on the alert, and promptly followed him down the tunnel to which his unerring nose had faithfully led him.

It was close and airless, and the earthy smell was strong, and it seemed a long time to Rat ere the passage ended and he could stand erect and stretch and shake himself. The Mole struck a match, and by its light the Rat saw that they were standing in an open space, neatly swept and sanded underfoot, and directly facing them was Mole's little front door, with "Mole End" painted, in Gothic lettering, over the bell-pull at the side.

Mole reached down a lantern from a nail on the wall and lit it, and the Rat, looking round him, saw that they were in a sort of fore-court. A garden-seat stood on one side of the door, and on the other a roller; for the Mole, who was a tidy animal when at home, could not stand having his ground kicked up by other animals into little runs that ended in earth-heaps. On the walls hung wire baskets with ferns in them, alternating with brackets carrying plaster statuary—Garibaldi, and the infant Samuel, and Queen Victoria, and other heroes of modern Italy. Down on one side of the fore-court ran a skittle-alley, with benches along it and little wooden tables marked with rings that hinted at beer-mugs. In the middle was a small round pond containing gold-fish and surrounded by a cockle-shell border. Out of the centre of the pond rose a fanciful erection clothed in more cockle-shells and topped by a large silvered glass ball that reflected everything all wrong and had a very pleasing effect.

Mole's face beamed at the sight of all these objects so dear to him, and he hurried Rat through the door, lit a lamp in the hall, and took one glance round his old home. He saw the dust lying thick on everything, saw the cheerless, deserted look of the long-neglected house, and its narrow, meagre dimensions, its worn and shabby contents—and collapsed again on a hall-chair, his nose to his paws. "O Ratty!" he cried dismally, "why ever did I do it? Why did I bring you to this poor, cold little place, on a night like this, when you might have been at River Bank by this time, toasting your toes before a blazing fire, with all your own nice things about you!"

The Rat paid no heed to his doleful self-reproaches. He was running here and there, opening doors, inspecting rooms and cupboards, and lighting lamps and candles and sticking them up everywhere. "What a capital little house this is!" he called out cheerily. "So compact! So well planned! Everything here and everything in its place! We'll make a jolly night of it. The first thing we want is a good fire; I'll see to that—I always know where to find things. So this is the parlour? Splendid! Your own idea, those little sleeping-bunks in the wall? Capital! Now, I'll fetch the wood and the coals, and you get a duster, Mole—you'll find one in the drawer of the kitchen table—and try and smarten things up a bit. Bustle about, old chap!"

Encouraged by his inspiriting companion, the Mole roused himself and dusted and polished with energy and heartiness, while the Rat, running to and fro with armfuls of fuel, soon had a cheerful blaze roaring up the chimney. He hailed the Mole to come and warm himself; but Mole promptly had another fit of the blues, dropping down on a couch in dark despair and burying his face in his duster. "Rat," he moaned, "how about your supper, you poor, cold, hungry, weary animal? I've nothing to give you—nothing—not a crumb!"

"What a fellow you are for giving in!" said the Rat reproachfully. "Why, only just now I saw a sardine-opener on the kitchen dresser, quite distinctly; and everybody knows that means there are sardines about somewhere in the neighbourhood. Rouse yourself! pull yourself together, and come with me and forage."

They went and foraged accordingly, hunting through every cupboard and turning out every drawer. The result was not so very depressing after all, though of course it might have been better; a tin of sardines—a box of captain's biscuits, nearly full—and a German sausage encased in silver paper.

"There's a banquet for you!" observed the Rat, as he arranged the table. "I know some animals who would give their ears to be sitting down to supper with us to-night!"

"No bread!" groaned the Mole dolorously; "no butter, no—"

"No pâté de foie gras, no champagne!" continued the Rat, grinning. "And that reminds me—what's that little door at the end of the passage? Your cellar, of course! Every luxury in this house! Just you wait a minute."

He made for the cellar-door, and presently reappeared, somewhat dusty, with a bottle of beer in each paw and another under each arm, "Self-indulgent beggar you seem to be, Mole," he observed. "Deny yourself nothing. This is really the jolliest little place I ever was in. Now, wherever did you pick up those prints? Make the place look so home-like, they do. No wonder you're so fond of it, Mole. Tell us all about it, and how you came to make it what it is."

Then, while the Rat busied himself fetching plates, and knives and forks, and mustard which he mixed in an egg-cup, the Mole, his bosom still heaving with the stress of his recent emotion, related—somewhat shyly at first, but with more freedom as he warmed to his subject—how this was planned, and how that was thought out, and how this was got through a windfall from an aunt, and that was a wonderful find and a bargain, and this other thing was bought out of laborious savings and a certain amount of "going without." His spirits finally quite restored, he must needs go and caress his possessions, and take a lamp and show off their points to his visitor and expatiate on them, quite forgetful of the supper they both so much needed; Rat, who was desperately hungry but strove to conceal it, nodding seriously, examining with a puckered brow, and saying, "wonderful," and "most remarkable," at intervals, when the chance for an observation was given him.

At last the Rat succeeded in decoying him to the table, and had just got seriously to work with the sardine-opener when sounds were heard from the fore-court without—sounds like the scuffling of small feet in the gravel and a confused murmur of tiny voices, while broken sentences reached them—"Now, all in a line—hold the lantern up a bit, Tommy—clear your throats first—no coughing after I say one, two, three.—Where's young Bill?—Here, come on, do, we're all a-waiting—"

"What's up?" inquired the Rat, pausing in his labours.